Zeigarnik Effect: Odd Reason Not To Finish All Your Work
“I love deadlines. I love the whooshing noise they make as they go by.” ― Douglas Adams
MENTAL MODEL
The Zeigarnik effect is when an activity that has been interrupted is more readily recalled. We remember unfinished or interrupted tasks better than completed ones. Waiters have better recollections of still unpaid orders. But after everyone has paid, the waiter is unable to remember any details of the orders. This happens because of Lewin’s field theory: a task that has already been started establishes tension, which makes the memory more cognitively accessible. The phenomenon demonstrates the power of unfinished tasks. Unfinished business is salient in our memory, pushing us to get it overwith.
The core of the effect is that unfinished tasks remain in memory. The mind holds on to it and keeps it active in our thoughts. This occurs because the brain is wired to seek closure. For instance, we remember interrupted conversations and unfinished assignments more vividly than ones we completed without disruption. Unticked boxes create a state of mental tension. It motivates us to resolve the ambiguity. The nagging feeling we get when a chore or project is incomplete. Whereas completed tasks are “closed off”. Think of the difference between watching a television series finale and knowing there are no future episodes versus leaving the series on a cliffhanger amidst a season. One leaves our mind the moment the show is over. The other infiltrates and nibbles on our brain until we get back to and finish the show.
The Zeigarnik effect serves a very adaptive function: it ensures significant ideas and objectives remain at the forefront of our attention until they are finished. This can be advantageous under numerous circumstances. At the same time, if our tasks are constantly interrupted and our mind is under constant mental tension that can be terrible for our performance on the task at hand. So it is really a double-edged blade. A reminder for that half-done work project, and a painful distractor of that video game we left half beat.
Real-life examples of the Zeigarnik effect:
Work: scenario: you are working on a report and get interrupted by a phone call. The unfinished report tugs on your mind, sometimes causing anxiety until you complete it. Using a technique like time-blocking can have helped you maintain focus and reduce how disruptive the Zeigarnik effect is;
Education: situation: a student stops studying for their exam midway only to discover that the incomplete topis are persistent in their memory. This can be beneficial, as counterintuitive as that sounds: a reminder to review. Or detrimental, if it causes stress. Organize your study sessions into concentrated, uninterrupted blocks with clear beginnings and endings to optimize learning without undue stress;
Consumer behavior: marketers exploit the Zeigarnik effect by leaving audiences with an “incomplete” experience, like a partially filled shopping cart that sends reminders to your email. This creates a desire for closure, prompting you to return to complete the purchase or continue watching an unfinished show. Apply the principle: incorporate reminders, notifications, or follow-ups to gently nudge people to finish their actions.
How you might use the Zeigarnik effect as a mental model: (1) boost your productivity by breaking tasks into segments and consciously leaving a task incomplete at the end of work; as this can serve as a natural prompt and motivator to return and finish, maintaining your momentum and engagement over time; (2) use the effect to your advantage by deliberately interrupting study sessions before full completion to reinforce memory retention, reviewing it later to trigger the desire to “complete the learning process”; (3) use project tools that track and remind you of incomplete tasks, reducing the mental burden of unfinished business, acting as a sort of technological accountability partner; (4) if you use it in marketing, create anticipation, designing an experience that intentionally leaves the audience with unresolved elements, like teasing the next part of your story or by informing the viewer that a sequel is coming.